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Read more FOCUS Roskilde Festival 2013 The art will challenge us at the festival. KUNSTEN.NU cover this year's art program at the Roskilde Festival, featuring everything from luminous installations to performance art and political action.
Read more More focus series [AWA] Art Weekend Aarhus NY legacy of Fluxus very cool rooms Copenhagen Art Festival 2012 Roskilde Festival 2012 Week columnist very cool rooms Art, collectivity and network VISION Wide Week Artist Art Copenhagen 2011 Roskilde Festival 2011 Behind the lines of art and public spaces A new Nordic position ? ART Herning 2011 Between Art and Design very cool rooms Performative arts PORT 2010 Art Fair Special 2010 Roskilde Festival 2010 Art's value? Art Herning very cool rooms Can art communicate? Climate in art RATE Art Fair Special Roskilde Festival 09 KUNSTEN.NU. Guides for summer art experiences Artist in fact in the workshop Danish very cool rooms Arts Foundation U-TURN Alt_Cph 2008 Exhibition galleries for experiments Political Art Cuisine Art Machine-RAUM Street Art / Graffiti
7 November 2012 [Review] very cool rooms Anri Sala Louisiana is one of the exhibits that you just have to see. That both because Sala folds his works into a captivating flow - and because the show is simply beautiful, strong and relevant.
After seeing Louisiana's exhibition is not in doubt. Anri Sala is a dazzling film artist. Although there is room for installations and photography, the film works bearing the exhibition. Here we combine unique cinematic imagery with a refined sensibility to the work's pace, structure, and not least for its aural universe.
However, it has to be said that it takes time and dedication to see and take Salas works into. In the works is the interplay of image editing and sound masterfully orchestrated. However, it is based on subtle very cool rooms and precise very cool rooms shifts that are not basuneres out.
Red equals death is precisely the relationship between music / sound and image, very cool rooms between tempo and rhythm is the focal point of the exhibition absolute masterpiece - at least in my view - 1395 Days without Red, 2011.
During the 1395-day-long siege of Sarajevo (1992-96) had the townspeople every day to move around in an urban space that was threatened by snipers. To go to work, go shopping, visit family, etc. were dangerous. Consequently bar citizens only dark clothes as colorful, such as red clothes to attract snipers attention.
In this work, we follow a woman. At all intersections, she stops, listens and looks - and part of an inarticulate exchange with other citizens facing the same dilemma: is it now, I should throw myself into it?
The woman's very cool rooms journey very cool rooms through the city's cross-cut with another telling track where we follow the Sarajevo Symphony Orchestra. In a lobby-like room practicing the orchestra first movement very cool rooms of Tsjaikovskis 6 Symphony while people come, go, stop up.
Anri Sala / Sejla Kamerić: 1395 Days without Red, 2011. (Courtesy: Marian Goodman Gallery, New York; Hauser Wirth, London, very cool rooms Zurich) Anri Sala / Sejla Kamerić: 1395 Days without Red, 2011. (Courtesy: Marian Goodman very cool rooms Gallery, New York; Hauser Wirth, London, Zurich)
Energy of rhythm In the movie tie the two tracks very cool rooms together by a musician to stop and start again - the orchestra repeats passages, practicing - parallel to the woman's movement rhythm through the city. And so connected woman and orchestra knows she hums the movement's main theme, as if the music is a structural clue that gives her the courage very cool rooms to continue.
As such, 1395 Days without Red exemplary of the artist. Sala music folder internal logic - tempo, time, repetition, rhythm, pause - out and apply these structuring elements in its imagery.
Collective memory, but Sala leave at any time these items live her own life. He is not formalistic. On the other hand, he uses sound and music to build narratives that often stems from topics and locations can be interpreted towards a critical political-social or "just" human perspective.
In this light, 1395 Days without Red is seen as a study of the human consequences of daily fear and psychological pressure in a society. very cool rooms In parallel with the concrete plan of action seems the work to launch a documentary ambition. Not compared to the actual events, m
Read more FOCUS Roskilde Festival 2013 The art will challenge us at the festival. KUNSTEN.NU cover this year's art program at the Roskilde Festival, featuring everything from luminous installations to performance art and political action.
Read more More focus series [AWA] Art Weekend Aarhus NY legacy of Fluxus very cool rooms Copenhagen Art Festival 2012 Roskilde Festival 2012 Week columnist very cool rooms Art, collectivity and network VISION Wide Week Artist Art Copenhagen 2011 Roskilde Festival 2011 Behind the lines of art and public spaces A new Nordic position ? ART Herning 2011 Between Art and Design very cool rooms Performative arts PORT 2010 Art Fair Special 2010 Roskilde Festival 2010 Art's value? Art Herning very cool rooms Can art communicate? Climate in art RATE Art Fair Special Roskilde Festival 09 KUNSTEN.NU. Guides for summer art experiences Artist in fact in the workshop Danish very cool rooms Arts Foundation U-TURN Alt_Cph 2008 Exhibition galleries for experiments Political Art Cuisine Art Machine-RAUM Street Art / Graffiti
7 November 2012 [Review] very cool rooms Anri Sala Louisiana is one of the exhibits that you just have to see. That both because Sala folds his works into a captivating flow - and because the show is simply beautiful, strong and relevant.
After seeing Louisiana's exhibition is not in doubt. Anri Sala is a dazzling film artist. Although there is room for installations and photography, the film works bearing the exhibition. Here we combine unique cinematic imagery with a refined sensibility to the work's pace, structure, and not least for its aural universe.
However, it has to be said that it takes time and dedication to see and take Salas works into. In the works is the interplay of image editing and sound masterfully orchestrated. However, it is based on subtle very cool rooms and precise very cool rooms shifts that are not basuneres out.
Red equals death is precisely the relationship between music / sound and image, very cool rooms between tempo and rhythm is the focal point of the exhibition absolute masterpiece - at least in my view - 1395 Days without Red, 2011.
During the 1395-day-long siege of Sarajevo (1992-96) had the townspeople every day to move around in an urban space that was threatened by snipers. To go to work, go shopping, visit family, etc. were dangerous. Consequently bar citizens only dark clothes as colorful, such as red clothes to attract snipers attention.
In this work, we follow a woman. At all intersections, she stops, listens and looks - and part of an inarticulate exchange with other citizens facing the same dilemma: is it now, I should throw myself into it?
The woman's very cool rooms journey very cool rooms through the city's cross-cut with another telling track where we follow the Sarajevo Symphony Orchestra. In a lobby-like room practicing the orchestra first movement very cool rooms of Tsjaikovskis 6 Symphony while people come, go, stop up.
Anri Sala / Sejla Kamerić: 1395 Days without Red, 2011. (Courtesy: Marian Goodman Gallery, New York; Hauser Wirth, London, very cool rooms Zurich) Anri Sala / Sejla Kamerić: 1395 Days without Red, 2011. (Courtesy: Marian Goodman very cool rooms Gallery, New York; Hauser Wirth, London, Zurich)
Energy of rhythm In the movie tie the two tracks very cool rooms together by a musician to stop and start again - the orchestra repeats passages, practicing - parallel to the woman's movement rhythm through the city. And so connected woman and orchestra knows she hums the movement's main theme, as if the music is a structural clue that gives her the courage very cool rooms to continue.
As such, 1395 Days without Red exemplary of the artist. Sala music folder internal logic - tempo, time, repetition, rhythm, pause - out and apply these structuring elements in its imagery.
Collective memory, but Sala leave at any time these items live her own life. He is not formalistic. On the other hand, he uses sound and music to build narratives that often stems from topics and locations can be interpreted towards a critical political-social or "just" human perspective.
In this light, 1395 Days without Red is seen as a study of the human consequences of daily fear and psychological pressure in a society. very cool rooms In parallel with the concrete plan of action seems the work to launch a documentary ambition. Not compared to the actual events, m
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